This album is an extension of Pen’s persona and a view into another side of his personality. He explains that with this album, “Some people know me from years of battling, this is me entertaining people.  I don’t want people to think that I’m the nicest rapper on the planet. I proved I was nice when I was 18. I’m just trying to bug out and entertain.” This album has a lighter tone and the colorful rhymes combined with odes to alcohol and drunken shenanigans will bring a smile to anyone’s face.  Songs, “Drunk and Don’t Care”, “One Drink, Two Drink” and “BK’s Fat Boy” showcase Pen’s wit and sense of humor.  

But it’s not all shots and giggles, as the music gets a little darker when it turns into a “Brooklyn Party” and Pen joins forces with M.O.P. on “Magnifique”.  This rowdy track features the double time feel of a down south beat mixed with the hydro bass and vibe of the west coast.  Pen wanted to join forces with them because, “People have been saying we should get on a track for years and I wanted to do a real collaboration.”  Continuing the walk on the wild side, Pen also worked with Silkk Da Shocker from New Orleans, “Shut Up” and the notorious Gille Da Kid, “Goons Are Us.”  Pen wanted to work with Gillie a kindred rhyme spirit. “Gillie’s been hot in the streets for a minute.  When I hear certain people that I think would make good music together I decide to pick them.”  He handpicked his producers and beats the same way.  “The beats have to knock, I don’t like soft beats.”  

The albums’ production goes from heavy samples to gritty jams that can move the block as easily as a boom box creating a specific sound that is equal parts, hardcore hip hop and whimsical cuts that provide a peek into the complicated mind of Poison Pen.  He still finds time to contribute to his journal on Hip Hop Game, tour around the world and continues making quality music.